Shang-Chi and the Legend of the Ten Rings 2 (Date TBD)īlack Panther: Wakanda Forever (November 11, 2022)īlack Panther 2 has a release date and is now called Black Panther: Wakanda Forever, but with the sad and untimely passing of series star Chadwick Boseman, it's difficult to know how director Ryan Coogler (back from the first film) will handle the situation.Spider-Man: Freshman Year (Disney+, Date TBD).Agatha: House of Harkness (Disney+, Date TBD).What If.? Season 2 (Disney+, Date TBD).Live-Action Spider-Man Sequels (Dates TBD).Ant-Man and the Wasp: Quantumania (February 17, 2023). ![]() The Guardians of the Galaxy Holiday Special (Disney+, 2022).Black Panther: Wakanda Forever (November 11, 2022).Untitled Halloween Special (Disney+, 2022).She-Hulk: Attorney at Law (Disney+, August 17, 2022)."I Am Groot" Shorts (Disney+, August 10, 2022).The picture will make Bad Bunny the first Latino lead of a live-action Marvel superhero film, Sony said.For those keeping track, here's the full lineup of upcoming Marvel movies and shows: During its presentation, Sony debuted footage from the Brad Pitt action movie “Bullet Train” and unfinished animation from “Spider-Man: Across the Spider-Verse.”Īdditionally, Sony leaned further into its “Spider-Man” franchise, announcing music artist Bad Bunny as the star of “El Muerto,” an upcoming Marvel film based on an obscure comic book character. Rothman boasted about the $3.3 billion that Sony movies, including “Spider-Man: No Way Home” and “Uncharted,” grossed since the last CinemaCon, in August. “What are you guys doing here?” he asked from the Colosseum stage. Tom Rothman, chairman of Sony’s motion picture group, set the tone for the festivities Monday night, joking to the assembled theater owners by mocking the most pessimistic predictions of the future of cinema. There’s growing optimism that theaters will continue to see revenue growth in the coming months thanks to such potential blockbusters as “Top Gun: Maverick,” “Lightyear” and “Minions: The Rise of Gru.” and Canada is projected to reach $9 billion this year, more than double last year’s tally but still down 20% from 2019 levels. This year’s CinemaCon comes as exhibitors are laboring to recover from the doldrums of the pandemic, when studios continued to delay big films that might bring audiences back to auditoriums. And so when it does go to the streaming service, there’s a view that that has a higher quality.” ![]() “But more importantly, it’s marketed and it builds a brand. “When you open a movie in the theaters, it has a whole stream of monetization,” Zaslav said. In his remarks discussing the company’s quarterly earnings, Zaslav cited the release of Matt Reeves’ “The Batman” as an example of how a theatrical release improves a film’s financial prospects. this month as a result of AT&T spinning off WarnerMedia assets to merge them with Discovery. In studying whether the studio should further collapse theatrical windows for streaming, data led him to conclude: “No way.” Discovery Chief Executive David Zaslav, speaking to investors Tuesday morning, indicated he thinks movies that debuts in theaters first are more valuable to the company. ![]() There are growing signs that studio owners have come around to theater operators’ view. But what does cinema have to gloat about? This is widely seen as essential to theaters’ business model.Ĭompany Town After Netflix’s week from hell, why streaming is becoming more like ‘just TV’ At CinemaCon, which takes place at Caesars Palace in Las Vegas, there’s no surer applause line than a rallying cry for the time-honored practice of releasing movies in theaters first.īefore the pandemic shuttered theaters, movies played in cinemas for an average of 90 days before becoming available in the home. of Theatre Owners, at CinemaCon, the cinema business’ annual convention.įithian was speaking to a receptive audience. “I am pleased to announce that simultaneous release is dead as a serious business model, and piracy is what killed it,” said John Fithian, president of the National Assn. On Tuesday, the head of the trade group that represents movie theaters pronounced such strategies “dead.” experimented with simultaneous releases to boost their streaming businesses. Nonetheless, during the COVID-19 pandemic, studios - including Warner Bros., Universal Pictures and the Walt Disney Co. It kills their box office and encourages piracy, they say. ![]() Movie theater operators hate it when Hollywood studios release films for home viewing and in cinemas at the same time.
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